Toyo Art Gallery is a private organization providing exhibition space for artists at all career stages. We showcase diverse artistic expression including:
• Painting
• Sculpture
• Photography
• Digital art
• Video and film
• Experimental art
At Toyo Art Gallery, we believe in the power of art to inspire and connect people. Our vision is to create a vibrant space where creativity thrives and artists can showcase their talents.
SEASON 2026
Our gallery offers exhibition spaces available for rent, welcoming artists at all stages of their creative journey. We are especially committed to supporting new, amateur, and emerging artists by providing an accessible and professional environment to showcase their work.
RESERVE YOUR SPACE
For further information, please contact:
(310) 408-9638 - (323) 775-2924







Toyo Art Gallery is pleased to announce an upcoming exhibition featuring artist Mia Woods. Please join us for the opening reception on Saturday,
August 22 at 7:00 pm.
“The art exhibit will be held from August 22 to August 29.”
Biography
Mia Woods is a Southern California–based artist whose practice is rooted in emotional inquiry and self-exploration.
Since early adolescence, she has used painting as a therapeutic process, transforming deeply personal experiences into visual narratives that examine life's most profound questions. Her work invites viewers into an open dialogue about vulnerability, transparency, and the shared complexities of the human experience.
Working within a surreal visual language, Mia weaves together symbols, dreams, and psychological themes to construct richly layered compositions. Recurring motifs—such as teeth representing insatiable desire, muscles embodying pride, and eyes reflecting the soul—serve as metaphors that encourage personal interpretation while revealing universal
emotional truths.
Rather than emphasizing technical virtuosity alone, Mia values honesty and emotional courage. Her paintings embrace contradiction: unsettling yet beautiful, abstract yet unmistakably human. Through this tension, she creates spaces where discomfort becomes a pathway to empathy and connection.
Mia has been featured in Curious Publishing and Visual Art Journal, and she has independently published several zines and artist books that combine her artwork and poetry around unified themes and concepts. She has exhibited extensively at El Callejón Gallery and presented a solo exhibition at Untitled Art Gallery.
A self-taught artist, Mia Woods approaches her practice with the belief that authentic connection is more meaningful than reputation. Through her work, she seeks to create moments of recognition—where viewers encounter not only her story, but reflections of their own.
Solo Exhibitions
2025: “Work in Progress”, Third Street Gallery, Pomona, California
2025: “Conversion Seen Through the Congregation of Color”, Klatch Coffee, Rancho Cucamonga, California
2025: “Conversion Seen Through the Congregation of Color”, El Callejon Gallery, Pomona, California
2024: “Assembling the Fragments”, Untitled Art Gallery, Ontario, California
2024: “In Death, There is Life”, El Callejon Gallery, Pomona, California.
Group Exhibitions
2026: “Don’t Be Afraid, Eat the Apple” Suburban Helltapes, Claremont, CA
2026: “Holy Week” 187 Gallery, YWAM, San Francisco, California.
2025: “Grey Matter: Black and White for Mental Health” Pain Sugar Gallery, Riverside, California.
2024: “Connection within Creation”, El Callejon Gallery, Pomona, California.
2024: “Improvisation in Sound and Image”, El Callejon Gallery, Pomona, California.
2024: “Conversing in Sound and Abstraction”, El Callejon Gallery, Pomona, California.
2024: “A Walkthrough of the Human Psyche”, Café Con Libros, Pomona, California.
2023: “Voyagers”, Norco College Art Gallery, Norco, California
2022: “Final Fantasy”, Dragonfruit Skincare, Ontario, California.
2017: “Artopia” Twenty-One Pilots Hometown Event, Nationwide Arena, Columbus, Ohio.

Toyo Art Gallery presented a solo exhibition featuring artist Alvin Takamori, held from July through August 2026.
Born in Los Angeles, as the younger of two boys, to an accountant and a seamstress from Hawaii, I grew up in Gardena, California. The encouragement of a kindergarten teacher introduced me to painting, and I’ve been attracted to a creative life ever since.
An impulse to be practical led to a couple of years studying physics at Occidental College but, the need for a more creative outlet, led me to a compromise idea to study industrial design at CSU Long Beach. After college, I worked primarily as a craftsman, building and installing custom signs and displays. With the evolution of computer software, I transitioned to a career in graphic design.
During my career in commercial art, art for purely creative expression was shunted to the back burner as something to do someday, when I had more time. This occurred over twenty five years later.
As a volunteer at the Gardena Valley Japanese Cultural Institute (GVJCI), I had worked with Mary Hatsuko Higuchi and Donald Hata. Somehow, based on their appreciation for my graphic designs, in 2014 they invited me to join the Henry Fukuhara Manzanar “Paint Out,”organized by Al Setton and Michele Pearson.
I hadn’t picked up a brush to paint anything since college. After researching plein air painting, I knew I needed an easel, something to sit on, paints, brushes, a palette, and paper or canvases. The details concerning which paints, which brushes, which paper to use was a guessing game. Also, there was a new world of additional items like palette knives, sponges, tapes, mediums, masking fluid, spray bottles, etc. After a spending spree collectingwhatever I could find on sale, I accumulated more than I needed and headed off to the Eastern Sierras.
The first day of painting I met Ron Libbrecht, who puzzled over my use of acrylic paint straight from the tube. By the third day, I was mixing my paints on a palette and creating paintings that I was happy with. The many years that I had avoided painting, I had always feared that it would be too time consuming. By the end of the workshop, I had confidence that I could produce a painting in an afternoon. I’ve been painting ever since.
During the workshop, I also met Bill Wassenberg, who invited me to the meetings of the South Bay Watercolor Society (SBWS). It opened my eyes to a new universe of local art groups. Meeting artists, watching demonstrations, attending workshops, seeing and participating in art shows has added a whole new dimension to my life. Now, I’m newsletter editor for SBWS, and I organize an art show at the GVJCI.
As for my art, I am attracted to water media. It’s a medium I feel comfortable with, having used it as a child. Regarding the subjects for my art, I am drawn to the beauty and patterns of nature, the people in my life, like my family are depicted in my paintings. There are also stories I want to share.
Beginning with that first workshop, which included a visit to the Manzanar concentration camp, the unjustified imprisonment of people of Japanese ancestry during World War II, has been a topic of several paintings. Telling that story through my art has been important to me. Painting has become a way for me to communicate different narratives. Sometimes, I want to express something more abstract like an idea or a feeling. My art is a vehicle to share my passions, ideas, thoughts and emotions.
Thanks to Mary and Don and that first workshop, now I know that I have art as a method of communicating and plan to use it for the rest of my life.

Toyo Art Gallery proudly presented a solo exhibition dedicated to the recent collection of artist Damián Garcia. The art exhibit was displayed to the public on July 2026.
Biography
Damián Garcia is a self-taught artist born in Downey, California, in 1990. Raised in a creatively driven environment, Garcia was first immersed in music before discovering a deeper connection to drawing and visual storytelling. Early exposure to illustration, design, and layered forms of expression continues to inform a practice rooted in symbolism,
memory, and the emotional complexities of the human experience.
Damian Garcia received early recognition with the Principal’s Award from the Paramount Traditional Artists Guild in 2008.
Since then, his work has been exhibited throughout California, Oregon, Washington, and Alabama. His honors include Honorable Mentions from Art Center East (2014, 2015) and Eastern Oregon University (2015), as well as First Place in the Eastern Oregon University Pre-Professional Health Club Logo Contest in 2015.
In 2016, Garcia was selected as one of three artists from more than 1,200 applicants for the Groundswell project, culminating in the Times Three! group exhibition at Ground space Project Gallery in 2017. In 2018, following his senior exhibition Perspective at the Nightingale Gallery, he was nominated for the Presidential Art Award at Eastern
Oregon University. In 2020, Garcia presented a solo exhibition of new works at Art Center East.
Garcia continues to exhibit throughout the greater Los Angeles area, including exhibitions in Long Beach, the Pomona Chamber of Commerce, and the Fullerton Museum Center, as well as galleries in downtown Los Angeles such as The Vault Gallery and Rizocorp Gallery. He is currently a resident artist at The Hive Gallery.
Garcia earned an Associate Degree in Liberal Arts from Los Angeles Trade Technical College in 2011 and studied industrial design at Art Center College of Design in 2015. In 2019, he received a Bachelor of Arts in Art from EasternOregon University, with minors in cultural anthropology and sociology. He currently maintains a studio practice in
Gardena, California.
Visual Characteristics of His Style
• Intricate pen-and-ink line work
• Floating or suspended compositions
• Symbolic imagery (hands, birds, fish, structures, columns)
• Architectural and organic contrasts
• Minimal yet atmospheric backgrounds
• Themes of fragility, memory, survival, and transformation
• Dreamlike spatial relationships
Artistic Influences His Work May Evoke
Without directly claiming influence, viewers may associate elements of his work with:
• Salvador Dalí’s surreal spatial logic
• René Magritte’s symbolic quietness
• Mark Ryden’s contemporary surreal detail
• M.C. Escher’s architectural precision
• Lowbrow and contemporary pop-surrealist movements
For exhibition or press materials, this sentence works especially well:
Garcia’s visual language merges surreal symbolism with architectural and organic forms, creating emotionally charged
compositions that explore instability, transformation, and the search for sanctuary.

Toyo Art Gallery recently presented a solo exhibition of artist Jasmine Hernandez.
The art exhibit was shown June 2026.
Jasmine Hernandez is a full-time fine artist based in Downey, California. Working across acrylic, charcoal, pastel, and colored pencil, her practice is rooted in the expressive and intimate portrayal of animals. Guided by a lifelong connection to the natural world’s fauna, Jasmine creates work that balances technical precision with emotional depth, inviting viewers into a closer, more empathetic relationship with her subjects.
Her artistic journey began in childhood with sketches of horses, gradually evolving into a focused and refined exploration of animal portraiture. Today, her work reflects not only a commitment to anatomical accuracy, but also an ability to convey personality, mood, and presence—capturing what often feels intangible in her subjects.
Jasmine’s style can be described as a blend of realism and expressive naturalism. While grounded in
careful observation and fine detail, her work avoids rigidity through the use of soft transitions, layered textures, and nuanced tonal shifts. She often emphasizes the eyes and subtle facial features of her subjects, using them as focal points to communicate emotion and character. Her handling of light and shadow enhances depth and dimensionality, while her controlled yet fluid mark-making gives each piece a sense of vitality and movement.
After graduating from high school, Jasmine dedicated herself fully to cultivating her career, participating in local exhibitions and building a strong client base through commissioned works.
During the COVID-19 pandemic, she extended her artistic practice into functional design, creating custom face masks, tote bags, and apparel featuring personalized pet portraits—offering both comfort and a sense of connection during a time of widespread uncertainty.
In 2023, Jasmine expanded her skill set by studying graphic design at Cerritos College, incorporating
digital techniques into her evolving practice. This exploration has allowed her to bridge traditional and contemporary methods, opening new avenues for creative expression while remaining grounded in her foundational techniques.
In her traditional media, Hernandez employs a meticulous layering process—building depth between
layers upon layers of pigment, whether in the richness of acrylic paint or the delicacy of charcoal
and pastel. Her colored pencil work, in particular, demonstrates a refined sensitivity to color blending
and gradation, resulting in surfaces that feel both detailed and luminous. Backgrounds are often
understated or atmospheric, allowing the subject to emerge with clarity and presence, reinforcing a sense of quiet intimacy.
A key element of her practice is her ability to translate emotional connection into visual form. Her
portraits frequently evoke themes of conservation and animal appreciation. Rather than idealizing her subjects, she presents them with authenticity and respect, highlighting their individuality and spirit.
Jasmine Hernandez continues to pursue her work with a commitment to accuracy, sensitivity, and artistic growth. Through her practice, she celebrates the enduring presence of animals in our lives and affirms her belief in the limitless potential of artistic expression.
Jasmine Hernandez continues to pursue her work with a commitment to accuracy, sensitivity, and artistic growth. Through her practice, she celebrates the enduring presence of animals in our lives and affirms her belief in the limitless potential of artistic expression.

Toyo Art Gallery proudly presented a solo exhibition dedicated to the recent works of artist Alison Rowley Jamele.
Alison Rowley Jamele
Alison Rowley Jamele is a multimodal painter whose work explores emotional narrative, spiritual
reflection, and the beauty of life experience. Her paintings combine layered textures, expressive color,
and symbolic storytelling through poems and prose to capture moments of introspection and resilience.
Drawing inspiration from nature, personal journeys, music and human connection, Alison creates work that invites viewers into a contemplative and emotional space.
Since 2019, her work has been exhibited in galleries across Southern California and Colorado, where she continues to build a growing presence within the fine art community.
As a California native, Alison’s creative journey began at an early age playing classical and jazz guitar,
leading her to study at the prestigious, Berklee College of Music in Boston, MA. After returning to
Los Angeles to complete her degree in television production and writing, she produced and directed an award-winning documentary, “Sickle Cell Anemia: Is There Hope?” which garnered a national and
regional award.
Throughout her career, she has loved art and has explored various aspects of art since high school.
Early in her passion, and despite having no formal training, she earned second place in the “Pen and Ink” category at her first art show in Pacific Palisades, CA. This experience was the spark that initiated her lifelong love of art.
In 1991, Alison and her husband co-founded MediaMation Entertainment, LLC. A prominent leader in
the cinema and themed attractions industry. Her leadership earned her the “100 Black Men of Los Angeles Women of Color Achievement Award” in 2016 for her contributions to economic security, mentorship and community improvement. In addition to her corporate success, Alison served as President of the Board of Directors for AASA’s youth orchestra, Pacific Vision Youth Symphony, founded by award winning, Music Director and Conductor, David Benoit.
After dedicating much of her life to her family and business, her resurgence in her artwork came in 2018 when her husband convinced her to take an oil painting class… the rest is history. Studying under renowned artists such as Lisa Mozzini-McDill and Rino Gonzalez, Alison explores various styles including abstract, realism, and impressionism layered with music and literature.
With all of the many experiences Alison has had in her life, it has all come full circle in the culmination of her writings, music and experiences that flow through her art.
Today, Alison continues to expand her creative horizons by writing a novel, composing poetry, prose and playing the flute. She finds her greatest joy in her faith and spending time with her husband and three sons and expressing her creative outlet through her art.

Toyo Art Gallery is proud to present an upcoming exhibition featuring Spanish artist Myriam Arnold, presenting a collection of her beautiful works brought directly from Tarragona, Spain.
Myriam Arnold was born in Tarragona, Spain in 1966. From a very early age she developed a deep interest in art and soon began her artistic training, which lasted nearly ten years. She first studied drawing and painting at the school of Carmen Alquézar and later continued her studies at the School of Art of Tarragona, Spain. Over time, through a series of personal and artistic evolutions that have shaped the mature path of her work, she now considers herself largely a self-taught artist.
Through painting and a variety of materials, Arnold gives form to a world populated by tender, childlike characters filled with emotion. Their stories are inspired by everyday life, yet the artist surrounds them with a dreamlike and romantic atmosphere.
In her studio, the characters she paints seem to accompany her—vibrating, dancing, and becoming part of her universe where dream, magic, and life intertwine. Classical music often fills the space, especially the compositions of Bach and Vivaldi, helping her achieve a harmonious dialogue of the senses.
Her pictorial language approaches what could be described as symbolist naïve art—a highly distinctive style. Her work possesses a singular personality, easily recognizable and imbued with a special magic that captivates the viewer.
Alongside her artistic practice, Arnold is also devoted to teaching. She organizes painting workshops in which she generously shares her extensive artistic knowledge with her students.
Her work has been presented in numerous solo and group exhibitions throughout Catalonia and Spain, as well as internationally across Europe and Asia, with recent exhibitions held in England and Taiwan.
At the La Catedral Art Gallery in Tarragona, Myriam Arnold presents a collection of eighteen paintings and small sculptures selected especially for this exhibition.
The exhibition warmly welcomes citizens, collectors, and all those who are particularly sensitive to the beauty and poetry that emerge from art.

Biography
Toyo Art Gallery presented a solo exhibition of Eddie Bibriesca, he is a surrealist artist born in Mexico City, where he spent his formative years immersed in a rich landscape of color, symbolism, and imagination. Growing up in one of the world’s most culturally vibrant cities, he was deeply influenced by its history, contrasts, and visual intensity—elements that would later resurface in his artistic language.
In 1994, Bibriesca relocated to California, a move that marked a turning point in his creative journey. Surrounded by new environments and cultural perspectives, his long-standing interest in visual expression evolved into a committed artistic pursuit. He began painting in 1996, developing his practice through years of disciplined self-study, experimentation, and personal exploration.
In 2025, seeking to further refine his technique and conceptual approach, Bibriesca began formal mentorship under the guidance of a renowned art teacher. This period of focused study allowed him to deepen his understanding of composition, symbolism, and the emotional resonance of surrealist imagery.
Bibriesca’s work reflects a fusion of inner worlds and lived experiences. His diverse interests—particularly spearfishing and music—play a subtle yet meaningful role in his creative process, informing the rhythm, tension, and dreamlike atmosphere present in his paintings. Through surrealism, he explores themes of introspection, transformation, and the subconscious, offering viewers a visual dialogue that blurs the boundaries between reality and imagination.
Today, Eddie Bibriesca continues to develop a distinctive artistic voice, one rooted in cultural memory, personal discipline, and an ongoing search for meaning beyond the visible.

Toyo Art Gallery was honored to present an exhibition of works by artist Javier Riera during the winter 2025 season, featuring his latest collection.
Biography
Javier Riera is the artistic name of Javier Vásquez Riera, born in Lima, Peru. From an early
age, he demonstrated a strong artistic inclination and a deep passion for drawing and painting. His
talent was recognized early on through various awards and honors that marked the beginning of a
lifelong artistic journey.
He began developing his skills by studying and recreating works of the great European masters, an
experience that enriched his technical knowledge—particularly in oil painting—and laid a solid
foundation for his professional career. Over time, he entered the art world as a full-time painter,
sustaining himself through the creation and sale of his works to select clients.
Javier later relocated to California, United States, where he continued his formal art education at
El Camino College. There, he once again stood out for his natural talent, further refining his
techniques in drawing and painting. This accumulated artistic experience led to the development
of his own distinctive style—one that is unique, personal, and authentic.
Currently, Javier Riera focuses on producing works that increasingly emphasize his individual artistic
language, oriented toward abstract and surrealist expression. His compositions are characterized by
vivid colors and imaginative forms that invite viewers into a dreamlike and immersive visual experience.
In addition to his fine art practice, Javier Riera has dedicated his life to art and design across multiple
disciplines. He has worked in fine furniture design, the pop-up books design industry, technical and industrial drawing, and architectural design—the latter leading him to establish an architectural firm in California.
His work has been exhibited in California and Spain, including exhibitions at Galería La Catedral in
Tarragona, Mombó Gallery in Spain (2025), and a solo exhibition at Toyo Art Gallery in Los Angeles.
In Galicia, Spain, one of his artworks was featured as the cover of the book “A las orillas de tu piel”,
published by Círculo Rojo.
Javier Riera is an artist in constant evolution, driven by a tireless commitment to innovation and
creative exploration. Through his work, he continues to contribute meaningfully to contemporary
culture and the field of plastic arts.
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